Sunday, April 25, 2010
Recording Session with Michael Manring and Celso Alberti
I recently dreamed up a trio music project, and invited two of my favorite musicians to record - bass guitar maestro Michael Manring and Brazilian percussionist Celso Alberti. The two very busy working musicians, graciously accepted my invitation upon hearing several demos I’d produced.
After the usual cat herding, our schedules came together and we all arrived at Noah Perry’s Merritt Sound Studio on April 19.
The full day session went even better than expected, with the live bass, drums and looping guitar, shaping into an exciting new recording. Release is a few months away, but we'll be posting tracks in progress. --Carl
Download/Play this 3 minute MP3 excerpt of "BlueScapes"
Labels:
celso alberti,
drums,
fretless bass,
loop guitar,
michael manring,
new CD,
recording session,
trio
Wednesday, April 21, 2010
Bone Dog Blues ( video)
"Bone Dog Blues" is on both escapesilence (2002) and the Hand In The Sand Compilation (2004). The song received good airplay, including NPR’s All Thing Considered, and the CD also came in at number one on that year’s Echoes Radio Listener’s Choice Poll. The tune is a straight ahead instrumental, and the theme, featuring Brian Knave’s excellent harmonica, is up tempo and cinematic. Enjoy.
Check out the following video I just produced, a concert performance by singer percussionist David Dilullo and singer Nadine Risha.
Check out the following video I just produced, a concert performance by singer percussionist David Dilullo and singer Nadine Risha.
Tuesday, April 6, 2010
Alameda On Camera 2010
During the last weekend of February 2010, The Frank Bette Center hosted the annual Alameda On Camera photography event. 48 bay area photographers, me included, were given 48 hours to take pictures within an assigned 48th slice of the Alameda map. I was given the north eastern tip of the island, which includes Lincoln Park and the High Street Bridge.
There are few better motivators than a deadline. The advantage of photographing where I live is knowing the territory. This is also the disadvantage. How to make fresh the commonplace?
I approached this challenge in the following ways:
1. Find the most unfamiliar (to me) locations in subject area
2. Be there during the most dramatic light – morning, evening
3. Don’t plan the shoot other than what gear to bring
4. Shoot with multiple cameras – digital, film and pinhole
5. Stay for a while and take in the scene, like a movie
6. Give chance a chance
The Alameda Camera show opening was Friday April 2. The house was packed and of the awards given, my black and white photo Steel Cathedral won Best Classic Photo. Three additional photos I submitted are also on display through the end of April - Bike Night, Lightning Survivor and the panoramic pinhole, The Guardian.
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